Even simply being suspended, I believe, already contains suffering.
And the way they stare back at me—trying to read my intentions while I silently watch them—is delightful.
Even though they can’t do a thing.
As for inverted suspension, I’m really glad I bought my own restraints a few years ago.
I’ve been using them not only at studios I’m familiar with, like S3 Studio and Alphain, but also bringing them along to places like Studio 9 and MK Studio.
As the sound of the pulley chain lifts them higher, I wonder if their mind is slowly being cornered along with it.
Forced into a position where all they can do is be looked down upon, the way they expose their stomach like a dog begging to be played with feels so defenseless.
It had been a while, but I also did rope suspension again—and it was satisfying.
Unlike lifting with a pulley, rope suspension lets me carefully take away their freedom piece by piece.
I like that the excitement doesn’t vanish all at once during the restraint process.
With every knot I tie, I can feel their tension through their body heat and breathing, and control the distance between us.
It may look like flashy play at first glance, but I love that it allows for quiet, subtle interaction.
It’s like a stillness that contains a kind of sexual ferocity within it.
Those who love rope—do you understand?
And when I look up at their face from below, the way they squirm—unable to escape my gaze, blushing with embarrassment—is irresistible.
You can stay here forever.
Forever.
…Sometimes I find myself thinking that.
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